COST — per video
Typical rate for one short-form video: ¥50,000–100,000
↓
A few thousand yen
On a production line built around AI, cost per video drops by an order of magnitude.
ABOUT FORCREATORS
Production is being democratized. With AI, anyone can make something. Which is exactly why what makes a partner worth trusting is starting to change. We test that question in our own production line, every day — and build the next standard from it.
THE SHIFT — what's happening now
The numbers around short-form production have been rewritten in the last two years.
COST — per video
Typical rate for one short-form video: ¥50,000–100,000
↓
A few thousand yen
On a production line built around AI, cost per video drops by an order of magnitude.
LEAD TIME — delivery
Order to delivery: 7–14 days
↓
24–48 hours
What used to be measured in days is now measured in hours, start to finish.
LIFESPAN — creative shelf life
A winning video held up for 2–3 weeks
↓
Dozens of swaps a month
Because it dies fast, testing and replacing creative continuously has become standard practice.
This isn't a forecast. It's already happening inside teams that rebuilt production around AI. "Making good videos" isn't enough to keep up at this speed anymore — production itself is being rebuilt from the ground up.
OUR STORY
Across businesses centered on North America and Southeast Asia, we've worked talent management, advertising, and creative production. Along the way, we watched AI fundamentally rewrite how creative gets made. That's the conviction that drove us to where we are now.

Ran "NEXAS", a North American VTuber agency — 80+ talents and English-market influencer marketing.

English-market expansion for YouTubers, EC growth support, and ad operations — driven mainly across Japan and North America.

Centered on TikTok Shop, we've delivered 1,000+ videos — short-form, ads, and EC assets alike.
Talent agency, ad agency, creative production — having walked all three, we see things others can't. At this turning point, we chose neither commentary nor waiting on the sidelines. We chose to become the ones actually doing it.
REBUILD — and now
It's not just scripting. From asset production to editing to project management, we built an operation that runs end-to-end on AI — freeing our people to focus only on quality control and the editing judgment AI can't make. We've turned our own company into the test bed.
BEFORE / AFTER — how the production flow changed
Plan ▸ Script ▸ Shoot & source ▸ Edit ▸ Revisions ▸ Deliver
Plan ▸ Script ▸ Material ▸ Edit ▸ Human review ▸ Deliver ▸ Time saved — reinvested in testing and swaps
We don't cut steps — we compress every one of them with AI. Lead time drops by an order of magnitude, and human review keeps pushing quality up. That combination is what we mean by "using AI."
DIVISION — how AI and people split the work
IN
Materials
Client assets, footage on hand, product photos
AI
Sort & select
Triage large batches, pull the usable frames
AI
Generate & edit
Fill gaps with generated shots, re-cut
HUMAN
Human review
Quality check, editing taste, Japanese copy, ad-law compliance
AI
Scale & track
Delivery, plus project tracking
What AI can do, AI does.
What it can't, people do.
There's no finished answer for where that line sits. So we keep testing it, every day, on our own production floor. That's the hardest, most load-bearing part of this story.
WHY WE'RE DIFFERENT — because we're the ones doing it
AI changes speed and volume by an order of magnitude. People hold the line on finished quality. We run that division of labor on our own production floor every day, which is how "fast and cheap" and "good" stop being a trade-off. It's not theory — it's a system built from doing the work.
Brands and companies produced for — well beyond EC alone
Videos delivered — short-form, ads, and EC assets
Ongoing monthly volume, running across multiple clients
Multiple publicly listed companies order from us on an ongoing basis.
The numbers are a result, not the point. The real story is how it's made.
VISION
The democratization of production isn't a threat to us — it's the premise. With AI, anyone can make something. What comes after that is what actually changes: the conditions for "I'd still rather hand this to them."
What are those conditions — speed, price, taste, judgment? We're not answering that as a philosophy. We're testing it, in practice, on our own production floor. That's why we chose the word "engineering."
And whatever we confirm through that testing, we carry forward as the default for the AI era — the next standard. That's the world forCreators is building toward.
Engineering the creative
partnership for the AI era.
FORCREATORS — THE SCIENCE OF CREATIVE PARTNERSHIP IN THE AI ERA
FOUNDER & BACKERS
Founder

Founder & CEO / forCreators Pte. Ltd.
BA, Faculty of Economics, the University of Tokyo.
Launched new ventures as head of the CEO office at an operating company, then founded forCreators in 2023.
Backers
(in no particular order)
Takahiro Hayashi
Representative Director & CEO, HEROZ, Inc.
Yuzuru Honda
Global CEO, FreakOut Holdings
Angel Round Inc.
and others
JOIN — be part of this story
There's more than one way in. Start from whichever is closest to you.
PATH 01 — MAKE
We plug you into the AI production line we run every day ourselves, from production through delivery.
/creative →PATH 02 — ENABLE
We implement the production flow we run in-house, adapted to your projects and team.
/ai →PATH 03 — PARTNER
We back you as production capacity, working behind the scenes under your brand.
/partners →ACCEPTING — open to conversations