ABOUT FORCREATORS

Engineering the creative
partnership for the AI era.

Production is being democratized. With AI, anyone can make something. Which is exactly why what makes a partner worth trusting is starting to change. We test that question in our own production line, every day — and build the next standard from it.

COMPANY REELforCreators in under a minute

THE SHIFT — what's happening now

The economics of "making it"
just changed by an order of magnitude.

The numbers around short-form production have been rewritten in the last two years.

COST — per video

Typical rate for one short-form video: ¥50,000–100,000

A few thousand yen

On a production line built around AI, cost per video drops by an order of magnitude.

LEAD TIME — delivery

Order to delivery: 7–14 days

24–48 hours

What used to be measured in days is now measured in hours, start to finish.

LIFESPAN — creative shelf life

A winning video held up for 2–3 weeks

Dozens of swaps a month

Because it dies fast, testing and replacing creative continuously has become standard practice.

This isn't a forecast. It's already happening inside teams that rebuilt production around AI. "Making good videos" isn't enough to keep up at this speed anymore — production itself is being rebuilt from the ground up.

OUR STORY

Talent, advertising, production —
we've walked every part of this floor.

Across businesses centered on North America and Southeast Asia, we've worked talent management, advertising, and creative production. Along the way, we watched AI fundamentally rewrite how creative gets made. That's the conviction that drove us to where we are now.

TALENT AGENCY

Talent agency

Ran "NEXAS", a North American VTuber agency — 80+ talents and English-market influencer marketing.

CREATOR MARKETING

Advertising & creator marketing

English-market expansion for YouTubers, EC growth support, and ad operations — driven mainly across Japan and North America.

CREATIVE PRODUCTION

Creative production

Centered on TikTok Shop, we've delivered 1,000+ videos — short-form, ads, and EC assets alike.

Talent agency, ad agency, creative production — having walked all three, we see things others can't. At this turning point, we chose neither commentary nor waiting on the sidelines. We chose to become the ones actually doing it.

REBUILD — and now

We rebuilt our own production company
entirely around AI.

It's not just scripting. From asset production to editing to project management, we built an operation that runs end-to-end on AI — freeing our people to focus only on quality control and the editing judgment AI can't make. We've turned our own company into the test bed.

BEFORE / AFTER — how the production flow changed

BEFORE — production by people alone7–14days

Plan ▸ Script ▸ Shoot & source ▸ Edit ▸ Revisions ▸ Deliver

AFTER — production rebuilt around AI24–48hours

Plan ▸ Script ▸ Material ▸ Edit ▸ Human review ▸ Deliver ▸ Time saved — reinvested in testing and swaps

We don't cut steps — we compress every one of them with AI. Lead time drops by an order of magnitude, and human review keeps pushing quality up. That combination is what we mean by "using AI."

DIVISION — how AI and people split the work

IN

Materials

Client assets, footage on hand, product photos

AI

Sort & select

Triage large batches, pull the usable frames

AI

Generate & edit

Fill gaps with generated shots, re-cut

HUMAN

Human review

Quality check, editing taste, Japanese copy, ad-law compliance

AI

Scale & track

Delivery, plus project tracking

What AI can do, AI does.
What it can't, people do.

There's no finished answer for where that line sits. So we keep testing it, every day, on our own production floor. That's the hardest, most load-bearing part of this story.

WHY WE'RE DIFFERENT — because we're the ones doing it

That's why we're fast, cheap,
and good.

AI changes speed and volume by an order of magnitude. People hold the line on finished quality. We run that division of labor on our own production floor every day, which is how "fast and cheap" and "good" stop being a trade-off. It's not theory — it's a system built from doing the work.

100+

Brands and companies produced for — well beyond EC alone

1,000+

Videos delivered — short-form, ads, and EC assets

100+/mo

Ongoing monthly volume, running across multiple clients

Multiple publicly listed companies order from us on an ongoing basis.

The numbers are a result, not the point. The real story is how it's made.

VISION

Engineering the conditions
for "I want to trust them with this."

The democratization of production isn't a threat to us — it's the premise. With AI, anyone can make something. What comes after that is what actually changes: the conditions for "I'd still rather hand this to them."

What are those conditions — speed, price, taste, judgment? We're not answering that as a philosophy. We're testing it, in practice, on our own production floor. That's why we chose the word "engineering."

And whatever we confirm through that testing, we carry forward as the default for the AI era — the next standard. That's the world forCreators is building toward.

Engineering the creative
partnership for the AI era.

FORCREATORS — THE SCIENCE OF CREATIVE PARTNERSHIP IN THE AI ERA

FOUNDER & BACKERS

The people carrying
this story forward.

Founder

Harry So

Harry So

Founder & CEO / forCreators Pte. Ltd.

BA, Faculty of Economics, the University of Tokyo.

Launched new ventures as head of the CEO office at an operating company, then founded forCreators in 2023.

Founded
October 2023
HQ
Singapore
Web
for-creators.io

Backers

(in no particular order)

  • Takahiro Hayashi

    Representative Director & CEO, HEROZ, Inc.

  • Yuzuru Honda

    Global CEO, FreakOut Holdings

  • Angel Round Inc.

and others